SOU’WESTER EVENTS!
See what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
In this workshop we will use plaiting and twining to create a small basket. We will be weaving with hand harvested and natural materials, including cedar bark, cherry bark, sea grass and iris leaf. We will be creating unique shapes and designs using these 2 techniques.
Rose Covert is a constant maker and an artist who creates in many directions. Her paintings, sculptures and woven works have been displayed throughout the Pacific Northwest. Most recently Rose has been engaged in woven sculptural work made of plants growing within a 30 mile radius of where she lives. Rose makes these very intricate and wild shapes by weaving one stick at a time, thus creating pathways to follow and build upon. As a member of the Columbia Basin Basketry Guild and a childhood educator Rose moves seamlessly between student and teacher, learning from the materials, the process and the people she works with.
As a teacher Rose is drawn to engagement and embodiment, beginning by exploring the mediums and materials we’ll be working with then using our senses and intuition to get a feel for what we’ll be making. Her teaching style has an emphasis on the magic and play of making, using questions and conversation as a way to encourage connection and imagination.
Workshop cost $80
Coach Phillips Presented by Sou’wester Arts
Initially formed in 2017 as an acoustic duo of vocalists Wade Phillips and Jessica Kim, Coach Phillips is a 5-piece band including Chet Baughman (drums/saxophone), Joe Oakes (guitars/misc.) and Tom Moskal (bass). The Seattle-based project has produced one full-length record to date and two EPs— the most recent being ‘Three-Chord Songs, Vol. 1’ released in May 2022.
‘…in the same sandbox as Hovvdy or the like, breaking bread with old emo tendencies and dipping it in the wine cup of present bedroom pop.’ – Nathan Lankford, Austin Town Hall
!mindparade (unplugged) : Presented by Sou’wester Arts
!mindparade is a psychedelic/experimental project that formed in Bloomington, Indiana. Originally the solo bedroom project of Alex Arnold, the live show and recordings are fleshed out by a revolving cast of musicians utilizing electronics and orchestration. !mindparade’s beautiful cacophony of bombast is pleasantly bewildering. Wild flourishes of dreamy psychedelic instrumentation zoom past you in all directions like standing in the middle of a busy intersection.
Currently based in Portland, Oregon, USA.
Jeremy James Meyer: Presented by Sou’wester Arts
Jeremy James Meyer is an artificer of song. A songwriter’s songwriter. He crafts redemptive songs full of woody rock ‘n’ roll tones. His deep, penetrating voice has a wide range, and is especially captivating in his droning, lower register. He spent the last decade drifting around, a tool belt troubadour, working carpentry by day, bringing folk music to the people at night. As with most well traveled songwriters it’s hard to tell where the road ends and Jeremy James Meyer begins. His songs seamlessly blend plain-language and poetic lyricism. They wander from personal truth to outlaw legends. He’s capable of cathartic protest songs, cosmic country canticles, and dive bar sing-a-longs. Whenever, and however your path crosses with Jeremy James Meyer’s (and it will) prepare for an enchanting, psychedelic trip through cosmic American music.
“Alive and OK by Jeremy James Meyer is a lesson in what country music can be. This is not the pop country of Nashville. This is real country music with stories and melodies that keep the listener engaged. Whether it’s a foot stomper or a song made for slow dancing, Meyer delivers songs that will get you moving.”
“Last year was a devastating time for fans of Americana, country, and pretty much anyone who loved a well-written song with the passing of Walker, Prine and Billy Joe Shaver all in the span of six months. It’s heartening though to know there is another generation of talented singers and songwriters eschewing current trends and fads and focusing simply on writing timeless, relatable music agnostic of specific genres. Meyer is certainly one of those acolytes to the greats, alongside peers like Todd Snider and Hayes Carll carrying that tradition into the future.”
In this workshop we’ll explore elemental printmaking techniques, creating multiples or one-of-a-kind prints with a rolling pin or tiny press. Monotypes are a painterly print, using Akua Non-toxic soy and honey based inks with brushes, brayers, stencils and templates, ferns, feathers or leaves. We’ll do Trace monotypes, Foil printing and Collograph to create fantastic textured surfaces. We’ll also explore Gyotaku, the Japanese art of fish printing, using rubber fish to transfer ink onto paper or fabric. Other elements addressed will be chine Colle’, making a stamp, relief printing, printing on fabric, everyday items you can use for art, Scratch Foam printing, Stamping with Easycut, Tape design plates and more! Workshop is 10AM-2PM and cost is $90.
Jane Pagliarulo received a BFA in Printmaking from University of Massachusetts at Amherst. She cut her teeth as a fine art printer at Hand Graphics in Santa Fe, New Mexico. From 1989 to 1996 she printed lithographs, woodcuts and etchings. As a monotype printer she has worked one-on-one in creative collaboration with artists having tremendously varied conceptual and technical approaches. As a result Jane strays beyond the traditional boundaries of printmaking. In 1996 Pagliarulo moved to Oregon, founding a printmaking workshop in Hood River. In 2007 she co-founded Atelier Meridian, a collaborative membership printmaking studio in Portland, where she teaches workshops and prints editions. In her own prints, Pagliarulo approaches the landscape with an abstract realist’s eye for the edges and shapes found in the expanses of the American West. Unique spacial tensions are created with the push and pull of brush strokes and erasures. Unpredictable marks and subtle veils of color are employed as the printmaking process delivers mysterious surfaces of ink in confluence with paper. She exhibits nationally and is represented in Portland by the Portland Art Museum Rental Sales Gallery and Print Arts Northwest.
Bijoux Cone: Presented by Sou’wester Arts
Bijoux Cone (Formerly Bryson Cone) is a visual artist, filmmaker, musician and producer based out of Portland OR. Bijoux Cone’s debut album “Magnetism” was released February 19 on LA based label Cleopatra Records. Her forthcoming sophomore album is pending release.
Bijoux Cone’s music explores themes of love, loss and identity paired with lush melodramatic synth pop and disco synth grooves.
The live band includes/has included members such as:
Bijoux Cone (FKA Bryson Cone, Reptaliens, Gary Wilson & The Blind Dates),
Hannah Blilieh (The Gossip, Chromatics), Bambi Browning (Reptaliens, Blouse),
Ben Steinmetz (Kyle Craft), Thomas Mabus (Reptaliens, Wampire),
Chris Hoganson (Fur Coats, Wampire) and Cat Hoch (Blackwater Holylight).
In this workshop students will learn basic embroidery techniques (5 basic stitches) through stitching your favorite plant, vegetable, or herb using recycled materials and/or through altering a piece of clothing: hats, jackets, patches, or bags (Please bring your own piece of clothing to alter). Participants will be guided through a process of choosing a plant you identify with, learning about its properties, then experimenting with multimedia techniques to create a piece of hangable or wearable art.
Chloe Jacobson grew up in the dry, oaky lands of Southern Oregon and headed north to the lush forests of the Pacific Northwest to pursue a major in Visual Arts and Psychology from The Evergreen State College. She chose to pursue the healing power of the art process professionally through getting graduate degree in Transpersonal Art Therapy at Naropa University, and now practice as full time art therapist with the LGBTQIA population in Portland, Oregon. She is a multimedia artist specializing in embroidery, painting, and collage to express sensations, feeling spaces, and to tell stories of empowerment and liberation. She walks the edge of fine art and craft to explore the natural world through my lens as a queer art therapist. She blends media to reframe and re-contextualize, while offering simple messages. She especially seeks narratives of natural perseverance, adaptation, justice, and resilience in the face of adversity or human constructs. Her background in art therapy informs my process as being a platform for healing self-reflection, through making the latent, blatant.
Jed Crisologo : Presented by Sou’wester Arts
Jed Crisologo is a soulful Seattle singer- songwriter, who mixes Americana, Punk Rock and Soul influences into heartfelt, catchy, honest tunes. His introspective and thoughtful songwriting sets an honest, alive and intensely human core to their songs. This combination of earnestness and swagger creates a sound that travels from wonderfully noisy and ambient to stripped down and raw, from raucous and bombastic to swinging and groovy all while emphasizing the truth and humanity in the songs.
In this workshop students will be guided in making bath bombs from everyday household items and found materials from the surrounding natural landscape of the Sou’Wester. Using optional scents and/or herbs, students will create a personalized set of bath bombs filled with unique intentions and return home with a set of hand made bath bombs.
Hannon is a white, nb queer creative and care worker who’s been living for nine years in Portland, Or. on the occupied indigenous lands of the Cowlitz, Multnomah, and confederate Tribes of the Grand Ronde. Hannon is a facilitator of introspective space, and creator of Tender Tank, drawing baths meant to be in conversation with each bather’s internal tides. You can learn more on their website: hannonhannonhannon.com or instagram.com/tendertank
Workshop cost $77
AC Sapphire: Presented by Sou’wester Arts
The Mojave is a desolate dreamscape, a vista of mind-bending scenery that seems to transform with every sand-swept step. There’s something exquisitely wild about it, tinged with a hint of danger. On the surface it can appear sparse—even foreboding—but a deeper examination proves it teaming with all the tragedy and transcendence of life.
The same can be said for the music of longtime desert denizen AC Sapphire. It has the same surreal qualities, the same sense of constant metamorphosis, the same expansiveness and emotional evocation, the same sense of wonder and revelation, and the same wild and perilous spirit. Her cosmic sound blends disparate elements into an ethereal folk rock while her strong voice shakes listeners awake as she spins her passionate, dust-blasted tales. All these qualities can be heard on her upcoming EP, Omni Present and upcoming album Desert Car.
Sapphire’s life began in Eastern Pennsylvania where her household overflowed with eight home-schooled children. When she was 14, she was given a singing part in a Shakespeare production. “I had no idea I was even able to sing and then I found my purpose,” she explains. “My father, an antique dealer, had this really beat up guitar with one string. I would just play that one string and pretend I was shredding. Eventually, my dad helped me ad the other five. I started writing songs right away. By the time I was 17 I was gigging.”
Sapphire soon teamed up with two of her siblings to form Sisters3, finding regional success. Then her younger sister quit the group. For AC, it was devastating. She needed a change and knew just where to find it. For years, she had been selling pizza at music festivals around the country. “I worked for a company of outsiders, artists, and travelers,” she explains. “Every year after working at Coachella I would spend two weeks in Joshua Tree. I was entranced by the desert. I wanted to live there.” She followed that Siren’s song west to her new home. “I really feel like I came into my own there,” she says. “It was a sense that I was doing what I wanted with my life. The desert changed me. There’s mental clarity because you can see everything. There’s room. There’s space.”
This freedom and awe influenced songs like Omni Present’s “Desert Stars,” about the death of a friend and mourning the inability to share the marvels of the sandy wilds, and “Rock and Roll Van,” a more lighthearted fantasy about escaping the 110-degree heat via musical road trip. A different California landscape inspired Desert Car’s “Stick and Poke Tattoo,” a story of one of Sapphire’s real body decorations set against the backdrop of a brief affair with an Irish blacksmith and the crashing waves of the Big Sur coastline. “The Thrift Store Song” features Particle Kid and details what Sapphire describes as the best feeling in the world, “going to the thrift store and finding something that fits you perfectly.”
Despite her affinity for the arid expanse, Sapphire eventually decided to move on. These days she can be found in Portland, Oregon where she has put together a new band while also singing harmony and recording with Kyle Craft. She is preparing for a national tour in support of Omni Present.
Sapphire feels strongly about championing women in the music industry. She has volunteered as a vocal coach for the Portland Rock & Roll Camp for Girls and plans to raise money for the organization throughout her tour.