Sage Elaine Fisher is an American composer, performer and sound artist based in Portland, OR. She is best known for her performance project, Dolphin Midwives, which abstracts harp, voice and percussion using electronics, extended techniques and ritual processes. She explores themes of empathy, sustainability, vulnerability, transformation and technology through social experiment, meditation, psycho-acoustics and ritual.
Dolphin Midwives has brought experimental harp to contemporary art centers and venues on the west coast, Pacific Northwest and Canada, including Disjecta, S1, Portland Institute for Contemporary Art, Coaxial, Zebulon LA, Red Gate Arts, and Columbia City Theatre, and shared her work at TBA Fest, Debacle Fest, PDX POP NOW, Olympia Experimental Music Festival, Treefort Music Festival, Subharmonic, The Wayward Music Series, Quiet City and the Improv Summit of Portland. In 2016, she released Orchid Milk, her first recording under the Dolphin Midwives moniker. Her installation, Naturaphones, was shown in 2017 at The Bison Building, as a culmination of a six month residency for PNCA+OCAC, and featured four large-scale acoustic sculptures, ambient performance, and several sculptural prototypes. She founded and directed Dröna Choir to perform her new choral work, invisibility ritual; performed on the new moon in total darkness, to explore the vast space between silence and sound. In 2018 she composed a new score for Night of the Living Dead, commissioned by the PJCE and supported by a RACC grant. Her sound art performance/installation, Break: preparations for the apocalypse, was shown at Variform Gallery in Dec 2018. Liminal Garden, Dolphin Midwives’ debut studio album, was released internationally on Jan 18, 2019 by Beacon Sound/Sounds et al. In June 2019 she placed in Portland’s Best New Band list in the Willamette Week.
C R Y S T A L C O R T E Z is a composer and multimedia artist based in Portland, Oregon. Her sonic work is focused around the use of field recordings, sounds produced and electronically processed live from objects, and multi-channel sound spatialization. Her practice has recently involved the development of interactive sculptural interfaces and wearable technology that use movement and other corporeal methods to drive audio and visuals. Crystal blends sound, tech and performance art to produce ceremonial happenings. Her work has been shown at PNCA, PICA, Navel (LA) and more.
Photo by Amber Case
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