SOU’WESTER EVENTS!
See what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
Spring 2020 Workshop Series
Traditional Rug Hooking Workshop: Basics plus Embellishments with Heidi Grevstad
Join Heidi to get started on a stylized sunflower pattern. In traditional rug hooking (it’s different that the latch hooking you might remember from the 70’s), strips of wool fabric are “hooked” into cloth such as loosely woven linen or cotton. It’s a wildly creative craft. You don’t have to follow a complex written pattern, mistakes are easily fixed, there are no knots, and you can up-cycle woolen clothing into art.
While this workshop is suitable for beginners, those with experience will enjoy our exploration of color planning, how to hook letters effectively, use of creative stitches and embellishments, and how to turn a yardstick into a frame! If you already have a hook, small scissors and a hoop or frame, bring them to class. If you don’t have them, no worries! Heidi will have supplies for you to use in class. You’ll leave the class with the skills you need to complete this project at home.
Heidi has been creating hand-hooked rugs since 2004. Her work has been published in Rug Hooking Magazine’s Celebrations editions, and WoolWorks Magazine. She enjoys teaching new rug hookers. Her website is: www.portlandcottagewool.com
COST: $35 plus a $40 materials fee (Please pay material fee directly to instructor.)
BRING: All supplies provided. If students have a rug hook and/or frame, they should bring them to class. Small scissors are also helpful. If students do have hooks or frames, Heidi will have them available to use in the class. Students may also purchase a hook and/or frame if they would like to. Please bring a sack lunch and/or snack. Coffee provided.
12 students max.
The class is very suitable for beginning students, but those who have taken a prior class will have an opportunity to learn some embellishment stitching techniques.
RSVP: souwesterfrontdesk@gmail.com or 360-642-2542 between 9am-9pm
The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644
This class is part of the Spring 2020 Workshop Series. All classes are open to the public and all skill levels welcome. Visit www.souwesterlodge.com/art/workshops to see the full schedule of artist-led workshops.
Spring 2020 Workshop Series
Accessing Ancestral Medicine: A Silent Writing Retreat with instructor Melissa Bennett
In today’s hectic world of information overload it can be challenging to find time for silence, contemplation, and reflection. In this silent writing retreat we will access the quiet of Seaview’s natural landscape to listen for and remember the stories of our ancestors. We will be guided by a series of writing prompts and will meet a few times throughout the day to share our writing and build community.
Melissa Bennett (Umatilla/Nez Perce/Sac & Fox/Anishinaabe), M.Div. is a writer, storyteller, story listener, educator, and spiritual care provider. She was a 2015 recipient of the Evergreen State College Longhouse Native Creative Development Grant, has previously published with The 3rd Thing Press, Yellow Medicine Review, and Indigenous Goddess Gang, and is a member of the Macondo Writers Workshop – an association of socially engaged writers working to advance creativity, foster generosity, and serve community.
COST: $45
BRING: Fast moving writing pens, a notebook you can get messy in, the willingness to share what you create, and an item or photo that connects you to an ancestor or ancestors. Dress weather appropriate. Please bring a sack lunch for yourself and optional snacks to share. Water and coffee provided.
This workshop is for students age 18 and over. 8 students max.
RSVP: souwesterfrontdesk@gmail.com or 360-642-2542 between 9am-9pm
The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644
This class is part of the Spring 2020 Workshop Series. All classes are open to the public and all skill levels welcome. Visit www.souwesterlodge.com/art/workshops to see the full schedule of artist-led workshops.
Hanna has played countless shows in Portland, OR and has become a part of the close knit community of West Coast artists. Hanna recently returned from touring overseas with the music agency Blue House Music which manages artists such as The Shook Twins John Craigie, Marty O’Reilly, Jeffrey Martin, Anna Tivel, and several others. She plans to record an album this Autumn.
Esmé Patterson is songwriter, gambler, singer, lover, thinker and explorer. She began as a member of the Denver Folk Pop septet, Paper Bird, and has written two records as a solo act including All Princes, I and her second and most recent release, Woman to Woman, which is a concept album of responses from female characters in a broad range of well known love songs. The Guardian called it “defiant and witty”, the New York Times found her voice “wiry and candid” with songs that “hint at mystery and mortality”. Audiotree touts “By putting herself in the minds of characters like Jolene, Eleanor Rigby, and Billie Jean, Patterson has crafted a witty, dark, and intimate twist on the popular tracks.” Esmé performs in multiple incarnations. She adds members to raise the volume and cadence of her tunes but remains powerful alone. Patterson is a magnetic performer and has appeared on the Leno, Conan and Letterman programs. Her co-writing with Shakey Graves led to sold out shows nationwide and millions of downloads of their collaborations. Esmé lives in Portland, Oregon, happily small under tall trees.
** Currently, this is scheduled not as a public event, but a live stream from the outdoor stage at The Sou’wester (weather permitting). If you are a guest staying with us, the show may be audible. *
(Live Stream) Jeffrey Martin at The Sou’wester
Jeffrey Martin:
As a babe Jeffrey Martin sought out solitude as often as he could find it. He’s always been that way, and he has never understood the whole phenomenon of smiling in pictures, although he is a very happy guy. One night in middle school he stayed up under the covers with a flashlight and a DiscMan, listening to Reba McEntire’s ‘That’s the Night that the Lights Went Out in Georgia’ on repeat until the DiscMan ran out of batteries. That night he became a songwriter, although he didn’t actually write a song until years later. After high school he spent a few years distracting himself from having to gather up the courage to do what he knew he had to do.
Eventually he found his way to a writing degree, and then a teaching degree. He wrote most days like his life depended on it, all sorts of things, not just songs, but songs too. He fell in love with teaching high school English, which was fantastic because he never thought he’d actually come to truly love it. His students were fierce and unstoppable forces of noise and curiosity, and for all that they took from him in sleep and sense, they gave him a hundred times back in sparks and humility.
All the while he was also playing truckloads of music. There was one weekend where he flew to LA while grading essays on the plane, played two shows, and then flew back home, still grading essays, and woke up to teach at 5 am on Monday morning. It was around this time he started wondering if such a life was sustainable.
Alas, music, the tour life, was a constant raccoon scratching at the back door. Jeffrey spent nights on end sitting up in bed, and then sitting on the front porch, staring off into the dark, wondering if he could bear to leave teaching to go on tour full time. Eventually his brain caught up with what his guts had known for months. With tears in his eyes he announced to his students that he wouldn’t be back the following year, and that he didn’t feel right hollering at them to chase their dreams at all cost if he wasn’t going to do the same.
Jeffrey Martin tours full time now. He is always making music, and he is always coming through your town. He misses teaching like you might miss a good old friend who you know you’ll meet again.
Jeffrey has put out bunches of music since 2009, but he’s most proud of the more recent stuff. He’s fortunate to be a part of the great and loving family that is Fluff and Gravy Records in Portland, OR. “One Go Around,” which released in October 2017, is his 3rd full length album. At his luckiest, he’s shared shows with the likes of Sean Hayes, Gregory Alan Isakov, Courtney Marie Andrews, Jeffrey Foucault, Joe Pug, Peter Mulvey, Amanda Shires, Sean Rowe, Tracy Grammer, David Wilcox, and others.
He currently lives in Portland, OR but feels lately that it has become a secret that someone figured out how to monetize. And since he has no money of any kind, everything beautiful about the city is marred by the quiet ticking of a countdown toward the day that he’ll have to find somewhere to live that doesn’t require a steady bleeding fortune.
** Currently, this is scheduled not as a public event, but a live stream from the outdoor stage at The Sou’wester (weather permitting). If you are a guest staying with us, the show may be audible. *
Mike Coykendall: Live Stream presented by Sou’wester Arts
(Live Stream) Mike Coykendall at The Sou’wester
Veteran songwriter, producer and multi-instrumentalist Mike Coykendall has been amazingly prolific over the last three decades or so. Currently most well known for his duties as a sideman, producer, and recordist via his work with M Ward, Blitzen Trapper, She & Him, Annalisa Tornfelt, & Tin Hat Trio, to name a few, Coykendall has been making his own unique outsider records since the mid ’80s.
Coykendall (pronounced “Kirk-in-doll) was raised near the dead center of the contiguous 48 states of America in rural Norwich, Kansas. In early high school he began playing drums and guitar and went on to perform in mid-western regional cover bands during the early 80’s. In the mid 80’s he started writing and recording his own songs on cassette 4-track and soon formed Wichita, Kansas based prarie-psych popsters Klyde Konnor. Klyde was a prolific and daring band that self-released approximately nine cassette albums between ’86 and ’91.
In ’91, he moved to San Francisco where he and wife Jill formed The Old Joe Clarks. The Old Joes worked hard and made three nuanced, highly acclaimed Americana-esque records. 1996’s Town of Ten, 1999’s Metal Shed Blues, & 2003’s November.
In ’99 after relocating to Portland, Oregon, Coykendall was able to expand his home studio and begin working other artists. One of those artists was M Ward. Their first collaboration was Ward’s 2003 masterpiece Transfiguration of Vincent. Soon after, Coykendall became a member of Ward’s touring band (also with She & Him).
In 2012 Coykendall released his third solo record titled Chasing Away the Dots via Portland’s Fluff & Gravy Records. Dots is a widely varied, moody yet playful record with a lived-in feel and is the perfect vehicle for Coykendall’s unfurnished vocals. This tidy little diamond in the rough also contained guest appearances by some of Coykendall’s musical friends including M Ward, Zooey Deschanel, Eric Earley, & Ben Gibbard.
Translating Dots to a live setting was an undertaking, as the record itself was filled with guest performances and layers of studio psychedelia. Coykendall met that challenge by essentially turning the record inside-out and stripping it down to it’s basic elements. He took to rocking these songs out with an oversized Kay electric guitar while stomping a tin can kick drum and swishing away on a huge set of high-hat cymbals. He began calling it the “rig”, and it stuck. These spontaneous performances are often a thick mix of Coykendall’s own compositions and reinterpretations of other writer’s famous or not-so-famous gems. Not working from a set list and seemingly testing each situation to see what boundaries can be pushed.
In late 2015 Coykendall released Half Past, Present Pending, partnering again with Fluff & Gravy Records. On this record, Coykendall takes the listener closer to the live “rig” performances by mixing excellent new compositions (check out “Hard Landing”) with compositions from his back catalogue (check out “East of Cheney” or “Spacebaker Blues”) in with fresh interpretations of other writers songs (he covers Roger Miller, Syd Barrett, etc) to great effect.
He continues to write, perform, produce, engineer, and wander SE Portland.
** Currently, this is scheduled not as a public event, but a live stream from the outdoor stage at The Sou’wester (weather permitting). If you are a guest staying with us, the show may be audible. *