SOU’WESTER EVENTS!

Spring 2020 Wellness Retreat Series

CANCELLED

INNER SPACE:

Shamanic Hypnosis / Gathering Resources for Inner Healing

with Mali Drexelius 

WEDNESDAY

4-6pm

• Check in/get settled

9-10am

• Spirit Plate, Simple Breakfast provided

10:30am-1:30pm

1:30-5pm BREAK TIME

Feel free to grab lunch nearby, or bring something for yourself to snack on. Also free time to sauna, go to the beach, rest, or request private shamanic session, etc.

BRING: A journal, comfortable clothes for the weekend, and any instruments, rattles, drums, chimes, etc that may call to you if you wish to make sound with. You may also choose to bring extra blankets for the beach and/or to be cozy during our sessions. Please bring anything else that may help you be more comfortable in the Pavilion space…pillows, meditation cushions, layers for clothing etc.

BOOK ONLINE by clicking BOOK NOW, enter the date range and the access code 

The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644

Visit www.souwesterlodge.com/wellness/retreats to see the full schedule of retreats.

The Cowtown Serenaders create collage-like performances blending song, story, and performance art, using puppets, props, accordion, musical saw, and more. The current show, called “A Trip to Cowtown,” features their Incredible Collapsible Magical Marionette Music Box, and was first performed as part of the Eureka Fringe Festival in 2019. It tells the story of Peggy Pilgrim and Toe-Tapping Tommy, two wandering spirits who become friends in a world where all travel and spontaneity has been banned by the Good Government.

Daniel Nickerson and Tayloranne Finch create work as the Cowtown Serenaders to combine their interests in music, art, storytelling and performance. Their recordings and shows are characterized by acoustic sounds, natural materials, and fable-like stories, woven together to create a living tapestry of alternative Americana. Based in Arcata, CA, the group produces their work at the Sanctuary, a community art studio and residency.

https://www.thecowtownserenaders.com/
http://thesanctuaryarcata.org/

This event is free, all ages, and open to the public!
Drinks are available during the show in our Library Bar.

Join us at the Sou’wester for a special multi-media release show for Nick Jaina’s first-ever novel, Hitomi.

Nick Jaina was a finalist for the 2016 Oregon Book Award for his memoir Get It While You Can.
Now he has returned with a disarming work of fiction exploring the world of music and love and failure.

His live show mixes looped electric guitar and melodic solos using these as a backdrop for his captivating readings. It’s like if Thom Yorke and Jonathan Safran Foer were to compose a podcast right in front of you. The shows are hilarious, thrilling, and emotionally honest. Hitomi is a novel about a band touring the country while trying to understand what the point of it all is, and if they are ever going to find the elusive whale, or if there even is a whale.

Can you grieve someone without confirmation of loss? Can you love someone without possessing them?

All will be explored in this one-of-a-kind show on Easter Sunday.

Nick will be joined by drummer Daniel Charles Hunt who will play an opening set of improvised percussion before accompanying Nick on his songs.

www.nickjaina.com

This event is free, all ages, and open to the public!
Drinks are available during the show in our Library Bar.

Portland OR based cosmic-americana-folk duo Dead Lee formed in 2017 when Brian Adrian Koch (current and founding member of Portland indie-rock band Blitzen Trapper) and partner, singer-songwriter Kara Harris, first started singing together for each other in their apartment. They soon branched to playing for friends at parties, special events and tribute nights before deciding to take their love of singing and playing together more seriously. For the last year and a half they’ve been playing all over the Pacific Northwest (Oregon, Washington, Idaho, Montana), Ireland and recently returned from a month long tour of Europe.

www.facebook.com/deadleeduo
www.instagram.com/dead_lee_duo
www.deadlee.bandcamp.com

This event is free, all ages, and open to the public!
Drinks are available during the show in our Library Bar, open every Saturday night.

Spring 2020 Wellness Retreat Series

Inbodiment: Applying Energy Concepts to Release Tension with Dr Heidi Walrath  

What stories are stuck in your body?

The “how to” look, listen and feel within.

led by Intuitive & Clairvoyant healer Dr. Heidi Walrath, DC

Inbodiment: is to inhabit. To bring into focus expressed curiosities and explore the expansivness within your own body’s vibration to gain tangible, sensory awareness of self-body.

This retreat is for those who wish to strengthen their ability to heal thy self.

Dr. Heidi will guide you through activities, movement, breath and meditation techniques that bring you into your body, as she accesses her intuitive and clairvoyant abilities to assist you in gaining firsthand experience with what YOU feel like. Learn how to discover your hidden stories and how to release your own pain and discomfort.

Dr. Heidi, DC BIO has always been curious. Guided by her strong inner voice, she has always listened.  When she was a child she had this feeling in her heart that lead her down the path. She started studying healing arts 20 years ago and fell in love with the idea that the body has many stories and that they could be accessed and healed. Since then, she has studied and explored different modalities receiving a certification in 200-hr Acupressure, an Assoc. degree in Exercise Rehabilitation and Injury Prevention, a Bachelors in Kinesiology & Exercise Physiology and a Doctorate in Chiropractic. She has continued her studies in quantum theory, conscious field work and dug deep into vibrational and tonal approaches through a chiropractic approach called Bio-geometric Integration (BGI) which teaches about the tonal expression through the structural body and how our bodies expressed distorted tension patterns through the whole person. She also continues to study theories on epigenetics, quantum medicine, as is currently practicing in Portland as an intuitive and clairsentient chiropractor who focuses on emotional integration and medical intuitive work.

FRIDAY

6-8pm

• Meet and Greet.
• Setting the tone for the workshop.
• Introductions and discussion about Inbodiment and why it is a powerful approach in self-healing.
• Participants share any specific health concerns they are experiencing.
• ACTIVITY grounding and clearing.

SATURDAY

8am-1pm

• DISCUSSION on body tension, consciousness and stored potential.
• Guided ACTIVE MEDITATION: Accessing awareness: Where do you exist? Finding hidden layers.
• DISCUSSION on energy, force dynamics, focus vs allowance.
• Guided ACTIVE MEDITATION: Giving attention to the volumes & accessing our infinite field.
• DISCUSSION the Waves of Breath.
• BREATH ACTIVITY: Breath & your body. How to reach the inside corners.
• Guided ACTIVE MEDITATION: Connecting to breath, as a vector, with purpose.
  

LUNCH BREAK

3-6pm

• DISCUSSION of concepts of awareness, focus and intention
• MOVEMENT ACTIVITY: Where are you in space? Following vs leading
• Guided MEDITATION: Body Scanning: where does your awareness lead you? What do you see, feel & observe?
• ACTIVITY grounding and staying open
• QUESTIONS on concepts covered

SUNDAY

10am-1pm

• DISCUSSION: Questions from yesterday.
• Guided ACTIVE MEDITATION: Breath on purpose, building attention & the meeting of vectors.
• DISCUSSION: Playing with body energies inside & outside, tension, disconnection, injuries, stored emotions & potential to heal.
• MOVEMENT activity: Activating body awareness and moving energy.
• BREATH Exercise: Creating space connecting vectors (purposeful breath & awareness meet intention.
• MEDITATION creativity and questions
  

LUNCH BREAK

3-6pm

• DISCUSSION: Stored Pain- How to change your broken story: does your past still exist once healed?
• Guided ACTIVE MEDITATION observing your sensations
• DISCUSSION on energy dynamics. Changing direction, pushing vs pulling
• Guided ACTIVE MEDITATION: Playing in all directions of moving energy or letting energy move.
  QUESTIONS?
• BREATH + MEDITATION: Putting it all together.
• DISCUSSION: Clearing and releasing the story
• SELF Guided Application: Each person focuses on one component of their body discovery to apply what they learned
• SHARING and OPEN DISCUSSION
• CLOSING gratitude share
• ACTIVITY Releasing energy and being in allowance of change.

BEGINS: Friday at 6pm

ENDS: Sunday at 6pm

COST: $250, plus lodging (20% off)

BRING: Dress comfortably to move, bring a water bottle, and yoga mat if you have one.

This workshop is best for students age 14 and up. 10 students max.

BOOK ONLINE by clicking BOOK NOW, enter the date range and the access code INBODIMENT

*For SHARED LODGING OPTIONS please contact souwesterfrontdesk@gmail.com or 360-642-2542 between 9am-9pm

The Sou’wester Lodge at 3728 J Place, Seaview, WA 98644

This class is part of the Summer 2020 Wellness Retreat Series. All classes are open to the public and all skill levels welcome.

Visit www.souwesterlodge.com/wellness/retreats to see the full schedule of retreats.

Hailing from the Sierra town of Placerville, CA, Ms. Nelson wound her way down the hills and through the valley to land in San Francisco, spending the mid-2000s finding that the middle ground between electric folk and California pop is in fact a windswept urban hilltop with her five-piece ensemble Prairiedog, who released two albums in their time together.

Since moving on under her own name in 2014, Ms. Nelson has released two full-length albums on Burger Records, Fast-Moving Clouds ​(2015) and ​Oh, Evolution​ (2017). She has also earned a MA in Creative Writing from San Francisco State University, and subsequently published​ Illuminate The Ruins​ in late 2018, a collection of poetry written throughout the previous year.

Her third with Burger, ​Weird Glow​, released June 28, 2019. It’s a new approach for Ms. Nelson, foregoing the full band of the previous two records, and approaching this body of work with just one longtime-collaborator and an engineer/producer.

The result is a record that is more sprawling sonically and lyrically. The dreams are desert dreams, the longing almost tangible, but gone are the feelings of being trapped and the need to escape that we heard in 2015’s Fast-Moving Clouds​. The riffs are heavier, the fuzz is thicker, the push/pull of a deep groove against a lilting lyric, more salient. There’s a hard-won comfort in the new record, a discovery of something that was maybe there all along but couldn’t be seen. Bright light, in ​Weird Glow​, has burned through the fog.

—Christopher Wind

There is a pulsing radiance resonating from Sarah Bethe Nelson’s aptly titled third studio album, Weird Glow. You can hear it right from the first cut. “Desert Song” opens with instantly catchy electric guitar riffs – the ragged old amp distortion almost seems to be growling alongside her gauzy vocals in a beauty-and-beast contrast. There are other passages where her breathy singing recalls moments of bygone 1990s indie rock. The transcendent and catchy “Too Rich” invokes memories of the British C86 sound crosspollinated with the ethereal dream-pop of the same era. But Weird Glow is hardly an Anglophile’s affair.

Throughout this alluring album, Sarah Bethe’s native California roots vine upward and out toward the sunshine. With its subtle guitar jangle, delicately descending melodies, and romantic lyrics, the title-track taps into veins of yesteryear’s West Coast canyon-rock sound. “Sunspots” is a gorgeous and haunting standout with slowly building layers of sonic textures – it’s a bewitching and romantic dirge that begs to be placed in the love scene of a soundtrack to a cool independent film or new streaming series. If the plot of Stranger Things ever moves into the early ‘90s, this one would feel right at home.

Throughout Weird Glow, Sarah Bethe never succumbs to full blown retrospection, but manages to invite musical ghosts into her recordings for a sublime, spectral sound of warm familiarity. Van Morrison’s “Everyone” haunts “To Be Continued,” while traces of Violent Femmes’ “Gone Daddy Gone” can be heard wafting from “Paralyzed Waltz.”

Where her former recordings involved a larger ensemble, Weird Glow takes a different approach with the sole accompaniment of multi-instrumentalist and longtime bandmate Rusty Miller, making for a more cohesive listen that dodges predictability. There’s an uncanny chemistry between them. In a live setting, they play together with an extra sensory perception in their communication that sounds like they’re reading each other’s musical minds. Miller’s parts garnish Sarah Bethe’s thoughtfully crafted songs with an extra dimension not heard in the tunes of her contemporaries. With this natural confluence, the slow burning groove of “Natural Disaster” somehow manages to balance naked vulnerability with armored confidence, all the while being catchy enough to put on a make-out playlist. She bookends Weird Glow with a smoldering epic – “8th and Hooper” plays for nearly nine minutes, taking the listener on a journey that stretches and winds through the sonic topographies of her musical soul. Vestiges of her former band Prairiedog surface here, laced with lovely guitar leads that dare to braid Ennio Morricone’s classic spaghetti western soundtracks with Galaxie 500’s hypnotic mantras of timeless guitar tones.

— Eric Shea

https://sarahbethenelson.com/

Photo by Jennifer Lewis

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GRAVY: https://curlycassettes.com/album/gravesest-hits?fbclid=IwAR12ieH3vuYe-uIxgWYRIIp2lbS5eDEcmcD3v8rcquUA6wGoDKfgXsWXpbw

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This event is free, all ages, and open to the public!
Drinks are served in our Library Bar, open every Saturday night for shows.

Outdoor Concert with J Graves presented by Sou’wester Arts

J. Graves is passionate dance-punk. Tense relationship rock, sanguine lyricism, guitar music, chord changes that sound like secret longing, a rhythm section that thuds, skitters, and melts over the determined voice of Jessa Graves. The heat of the cataclysm gives off a vapor known to galvanize meatspace into writhing, dancing heaps, creating rabid, loyal fans.

Recently J. Graves has been featured in NPR’s Tiny Desk Contest who said of their song “Eleven”, “Pairs well with: dancing away from your mistakes…”, Vortex Music Magazine celebrated J. Graves as an “Artist To Watch”, and the band celebrated the end of a successful 2019 at the vaunted Portland venue Mississippi Studios. Against all odds, J. Graves is back in 2020, with a crushing new EP Deathbed, and a record label Illumin, that seeks to leverage community and technology to advocate for womxn and gender non-conforming artists.

This event is free, all ages, and open to the public.

photo by Sleeper Studios

The Hackles: Outdoor Concert presented by Sou’wester Arts

The Hackles are guitar/banjo duo Luke Ydstie & Kati Claborn from Astoria, Oregon. They met at a band practice in 2008, and have played together most days since.

“Highly refined songwriting and awe-inspiring harmonization.”
– Rough Trade

About as authentic PNW folk as you can get.”
– Susan Varnes-Newland Seattle Wave Radio

This event is free, all ages, and open to the public.

Tommy Alexander, Kassi Valazza & Taylor Kingman: Outdoor Concert presented by Sou’wester Arts

This show is going to be live-streamed from out outdoor stage. Check our IG feed! It is no longer a performance that is open to the public. It may be audible to folks staying here. 

It’s not as if Tommy disrespects genre lines. It’s as if he doesn’t know (or care) that they exist. They’re not pertinent to his survival. He’s a cross between poet, arena rocker, and dive bar star. His voice plunges deeply, then rises high, and the band follows him faithfully through tempo changes, and wall of sound string movements, adding electric guitar and in-pocket backbeat to his work.

Making it as a musician today can require a heavy helping of DIY spirit, and Tommy Alexander has that in spades. It carried the California born musician all the way to Burlington, Vermont, where he founded Jenke Arts, a nonprofit artists’ collective and record label, and eventually all the way back west, where he found a new artistic home (at least for the moment) in Portland, Oregon. Once in Portland, Alexander connected with producer Mike Coykendall, who has worked with a slew of indie darlings, including M. Ward, She and Him Bright Eyes and Blitzen Trapper. Alexander’s creates a unique, infectious indie rock style all his own. His honest and heartfelt lyricism come to life in his songs which will strike a chord with you the very first listen.

“A phenomenal talent.”
Michael McDonald
(Legend)

“Thought provoking music in an age of glib imitation.”
No Depression

“Wicked Indie rock.”
Brett Lanier (Barr Brothers)

“Kassi Valazza has a viscous, light gold voice. It swirls around in your head like whiskey in a snifter; vaporous, and intoxicating. For most of Dear Dead Days pedal steel and electric guitar lope along at half time, the in pocket rhythm section booming from deep in the low end. Its frequencies penetrate your flesh. The songs reverberate off your bones. Her lyrics drip down the inside of your skull. Kassi will be your peyote coyote; a guide through these psychedelic vistas. Here she’s found a way to trap the world of cheaters, drifters, lovers and leavers in amber. Wander from your own woes, and come walk with Valazza’s.” -Sean Jewell American Standard Time

Taylor Kingman makes music that resets the clocks. You know the feeling of standing beneath a trestle on a hard day, a can of cheap beer, flicking a lighter and dreaming up wild ideas until a heavy train comes thundering overhead and you scream and scream until your voice gives out and you feel lighter? That’s the thing that lives deep in Taylor’s songs. There’s something so rubbed-raw honest and drunken-truth about them. You can’t help but be transfixed and transformed.

Born in Portland, OR and raised in Marion County, Taylor picked up a guitar and started writing at 12. In high school, he formed The Hill Dogs, a raucous, powerful band that hit hard beneath his explosive lyrics. After graduating, he wrote like a madman, played out heavily with the band, and taught guitar on the side.

In 2015, Taylor packed up and headed to Portland where he played anywhere and everywhere with The Hill Dogs until he blew out his voice and had to halt the band. The restrictions of his healing vocal chords gave way to a deluge of new writing. Taylor joined multiple projects around the city with some of Portland’s finest and recorded his debut solo album Wannabe at the great Mike Coykendall’s studio, due out November 17th on Mama Bird Recording Co. He recently formed ‘TK and the Holy Know Nothings’ with Lewi Longmire, Jay Cobb Anderson, Tyler Thompson, and Josh Simon as a vehicle for a growing ocean of new material.

Of writing songs, Taylor says, “Each word is a world waiting to swallow me whole. I get drunk off the pitter patter poetry of lines that root me to the cold, unforgiving ground, all at once, drowning me in the violent beautiful futility of humanity, yet, also, set fire to my eyes, sending me swirling and whirling, floating blind and thoughtless through the maze of the mind. I want the words to explode bloody in all their truth, for better or worse. Vivid images dripping with feeling bursting like lightbulbs in the back of the head.” Enough said. Train thundering. Sparks raining down.

This show is going to be live-streamed from out outdoor stage. Check our IG feed! It is no longer a performance that is open to the public. It may be audible to folks staying here. 

DJ Papi Fimbres: Outdoor Concert presented by Sou’wester Arts

Join us for DJ PAPI FIMBRES * cumbia / afro funk / boogie

David “Papi” Fimbres creates sound out of thin air that feels familiar at first, but at a second thought, is nothing you’ve ever heard before. As a percussionist and multi-instrumentalist Fimbres wields an arc of pure infectious energy, and a rare and cosmic control over the rhythmic and melodic spectrum.Born & raised in the Pacific West Coast, his Latino culture is immersed in not only his music, but his way of life as he sees it. Everything is here for a reason, and within that, everything has a sound that can be curated and understood.

This event is free, all ages, and open to the public.