SOU’WESTER EVENTS!

Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!

Aug
18
Wed
Dustin Hamman: Presented by Sou’wester Arts @ The Sou'wester
Aug 18 @ 8:00 pm – 9:30 pm

Dustin Hamman is a composer, musician, hack/wannabe actor/director, and donut enthusiast.

Dustin’s musical tastes span many genres but have always been rooted in folk. He had an early fascination with American Indian singing and early punk rock…later he explored the blues and the origins of country, eventually gaining interest in early jazz, swing, and big band. During a short life in Florida he was introduced to Latin rhythms and became intrigued by Flamenco and classical guitar.  More recently, he’s been dabbling in marriages of a variety of genres including, rap, rock, r&b, and noise/ambient, many of which can be heard on the recently released soundtrack for Beneath The Harvest Sky.  This was his first film scoring effort and he hopes to do many more.

 

Sep
4
Sat
Henry Chadwick: Presented by Sou’wester Arts @ The Sou'wester
Sep 4 @ 8:00 pm – 9:30 pm

http://www.henrychadwick.net
Henry Chadwick is a Santa Cruz, CA-based singer-songwriter, musician & producer. Chadwick’s music dances between genres – landing somewhere between indie, garage rock, psychedelia, and shimmery, sunshine-tinged power-pop. His 2nd full length record – We All Start Again – is due out this fall (2021) via Swoon City Music. 
 
“Chadwick not only mixes his tastes into something original, he also has something worth hearing to say.” – Grimy Goods

 

Sep
11
Sat
Nick Delffs : Presented by Sou’wester Arts @ The Sou'wester
Sep 11 @ 8:00 pm – 9:30 pm

http://www.mamabirdrecordingco.com/nick-delffs

Nick Delffs is a seeker. He’d never identify himself that way. He’s unassuming and self-effacing, careful to discuss song meanings and biographical details without indulgence or melodrama. Delffs cut his teeth playing basement shows in Portland a dozen years ago, just before that city’s cover was irreversibly blown. It was a time when being musically ambitious meant impressing other local musicians. You were a joke, in that world, if you proclaimed yourself an artist or promoted your band with any zeal. So Delffs would probably find “seeker” a rather grandiose title.

Sep
25
Sat
Lasers Lasers Birmingham : Presented by Sou’wester Arts @ The Sou'wester
Sep 25 @ 8:00 pm – 9:30 pm

https://www.laserslasersbirmingham.com

Tipping the Stetson hat that covers his scruffy hair, Lasers Lasers Birmingham carries on the legacy of hard living, left of center country music from the city of angels. Owen’s brand of “weird country music” draws inspiration from both right and left field, citing George Jones and Pink Floyd as influences.
 
“A fresh outlook on country music…” – Glide Magazine
“The music is an irresistible take on California country music.”-Twangville
Oct
9
Sat
Music: Faustina Masigat @ The Sou'wester
Oct 9 @ 8:00 pm – 9:30 pm

Faustina Masigat at The Sou’wester
Frustrated by academia and emotionally raw from a breakup, Faustina Masigat stepped away from her peers in her mid-twenties. She had come to realize that her personal and artistic maturation had been stifled by her relationships and her overly angular traditional musical schooling. She knew she needed to spend more time alone, committed to a process of unlearning, before she could move forward. As she peeled back the rigid layers of her youth, she began to write the songs that, a few years later, would make up her debut record. Seeking honesty over perfection, her approach to composition became much more intuitive; seated in the natural expression of not only her emotional life, but also that of a spiritual life, an expression of her own femininity, and a means of self improvement through self reflection. She became obsessed with the old, forgotten, second-hand guitars she would find in the “As Is” section of local music shops, believing that magic and songs still lived in the beat-up wood. One album track, “Willie Nelson”, manifested, fully formed, from one of these guitars – an ancient, labeless individual that she called “Red.” 
 
The songwriting on her self-titled debut is all at once heartbreaking, intelligent, meditative and elegant – centered around a voice that is difficult to attach genre to. There is a quiet intensity running through the world that Faustina creates: sweet and heavy, a touch of angst, brutally honest, smoldering. The album is understated, arranged as to allow Faustina’s effortless rapport with pedal steel player Tucker Jackson (The Minus 5, The Delines) to shine clearest. It’s a spacious and lush debut, with all of her vulnerabilities laid bare in songs hemmed together with fragile intimacy.
 
Faustina Masigat is out now on Mama Bird Recording Co. It was recorded by Rian Lewis, mixed by Ben Nugent and mastered by Timothy Stollenwerk, all in Portland, Oregon.
Dec
11
Sat
Mike Coykendall: Presented by Sou’wester Arts @ The Sou'wester
Dec 11 @ 8:00 pm – 9:30 pm

Mike Coykendall: Presented by Sou’wester Arts

Veteran songwriter, producer and multi-instrumentalist Mike Coykendall has been amazingly prolific over the last three decades or so. Currently most well known for his duties as a sideman, producer, and recordist via his work with M Ward, Blitzen Trapper, She & Him, Annalisa Tornfelt, & Tin Hat Trio, to name a few, Coykendall has been making his own unique outsider records since the mid ’80s.

 
Dec
18
Sat
Johnny Franco: Presented by Sou’wester Arts @ The Sou'wester
Dec 18 @ 5:00 pm – 6:30 pm

Johnny Franco: Presented by Sou’wester Arts

Johnny Franco is a Brazilian rock n’ roll marauder who now resides in Portland, and who crafts inventive spaghetti western/folk-rock stompers. Armed with propulsive, spindly guitars, Dylanesque vocals, and adventurous vibes, Franco recently signed to label Blanket Fort.

“A sly blender of old-school country & western and modern Americana, “Treated Like Grass” thrives on its rollicking rhythms and catchy, twangy melodies” – Impose Magazine

Jan
1
Sat
Eleanor Elektra : Presented by Sou’wester Arts @ The Sou'wester
Jan 1 @ 8:00 pm – 9:30 pm

Eleanor Elektra : Presented by Sou’wester Arts

Eleanor Elektra fuses  elements of folk, jazz and classical music within the songwriter idiom to create unique cinematic songs. Largely a self taught guitarist, her playing is both technical and idiosyncratic, skillfully supporting songs that are rich in both composition and execution. Her latest project, Exquisite Corpse explores topics of declining social and environmental systems and evokes artists such as Joni Mitchell, Aoife O’Donovan and Jesca Hoop.

Eleanor has toured extensively throughout the United States and Canada. She is based in Boston, MA and is a mainstay of the local music scene, performing at such venues as the House of Blues, the Lilypad, and Club Passim and holding residencies at Bow Market, Grendle’s Den, and Union Street Restaurant & Bar.
 

“Exquisite Corpse is grander than Elektra’s debut full-length, “The Lumberjack,” a dynamic record that extracted maximum catharsis from just a pair of guitars and Elektra’s voice. On “Exquisite Corpse,” the complexity of her compositions, their sinuous melodies and unexpected cadences, deepens. A group of sensitive young musicians — drummer Ivanna Cuesta Gonzales, fiddler Zosha Warpeha, bassist Tyrone Allen, pianist Jacob Hiser and trumpet player Milena Casado — fill out the sound, merging with effortless liquidity.”

— Wbur The ARTery (Boston’s Local NPR)

Jan
15
Sat
terrehaunt (of Death Parade): Presented by Sou’wester Arts @ The Sou'wester
Jan 15 @ 8:00 pm – 9:30 pm

terrehaunt (of Death Parade): Presented by Sou’wester Arts

Jan
29
Sat
Hayley Lynn : Presented by Sou’wester Arts @ The Sou'wester
Jan 29 @ 8:00 pm – 9:30 pm

Hayley Lynn : Presented by Sou’wester Arts
Hayley Lynn is a Portland based west coast indie rock artist with folk fashioned storytelling.  Lynn has been quietly growing songs and albums from her hometown over the last five years. Now, with a new album on the horizon, Lynn unveils a twist in her sound with her single “Tail Lights,” a 90s indie-rock throwback that shows us that Lynn’s powerful pop-rock sensibility and bold lyricism is just beginning.