SOU’WESTER EVENTS!
See what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
Noah Kite : Presented by Sou’wester Arts
The son of an acting coach and a therapist, Kite seems to have it in his DNA to blend the dramatic and analytic. Each musical wave crest and fall mirrors a turn in the story. Instruments rest for minutes before suddenly emerging. Emotions and motifs sustain and then drop into oblivion. The tone switches suddenly from accusation to epiphany. It is the sound of someone going through it.
Alongside the the musical tumult, the steady voice of Kite never loses his cool despite the searing intimacy of the song’s content. He thoughtfully guides us through the story of his relationship, in as well as struggles with friends, substances, sex and codependency. He has been clearly affected by the proceedings, but is determined to stare into them without blinking.
Lindsay Clark : Presented by Sou’wester Arts
“A rare exhibition of the weight that minimalism can bear in contemporary, reflective folk music. ”
Lindsay Clark finds balance between traditional and english folk, country, and her own version of experimental folk that seems to come from within. Exquisite and pitch perfect, her music speaks of quiet revelation, with a background of (usually her own) multi-tracked vocal arrangements. With influences ranging from the Beach Boys, Elizabeth Cotton, Joni Mitchell, Appalachian folk, her classical upbringing, and her father’s record collection, she blends many worlds into a uniquely warm sound. She has carved out a vibrant place as an artist with a penchant for poetry, rich harmony, and a style of self-taught fingerpicking influenced by Nick Drake, John Fahey, and others.
Originally from the small gold rush town of Nevada City, CA, she now resides in Portland, OR. Her sound has been described as “folk with angelic vocals washing over smooth edges” (1859 Magazine). She has shared the stage with musicians such as Alela Diane, Adam Torres, Nat Baldwin (Dirty Projectors), Ryan Francesconi (Joanna Newsom), Kaitlyn Aurelia Smith and Michael Hurley. “Crystalline” was released in 2018 via boutique German label Oscarson.
Her forthcoming full-length album (which she wrote, produced and co-arranged), Carpe Noctem, features guitarist William Tyler, Alela Diane, Sage Fisher (Dolphin Midwives), Alexis Mahler (Shook Twins) & Andy Rayborn (Paper Gates). It was engineered and arranged with Jeremy Harris (Vetiver, Adrienne Lenker, Hand Habits), and is out 6/24/22 with Audiosport Records (NL). She has also recently collaborated on Michael Hurley’s latest release, Time of the Foxgloves (No Quarter Records). She is currently at work on her first collection of lyric memoir-in-essays. PRE-ORDER CARPE NOCTEM
Peter Donovan : Presented by Sou’wester Arts
Peter Donovan is an astute musical storyteller. His perceptive songs span genres and feature narratives based on both real-life and fictitious characters, written with a contemplative heart. After finding success and a dedicated fanbase with Seattle’s All The Real Girls and his side project The Rose Petals (alongside Elijah Ocean), Donovan returns in 2022 with his first proper solo album, This Better Be Good.
His previous releases spun expertly-crafted character sketches that earned plaudits from Paste Magazine, Consequence of Sound, American Songwriter, and more. With This Better Be Good, Donovan spreads his wings, combining the plaintive soul of indie rock, the heartfelt sincerity of Americana, and the stirring studio pageantry of ‘70s singer-songwriters, drawing them together to explore more intimate depths.
This Better Be Good is Donovan’s most personal effort yet; a loose concept record about the ups and downs of an ultimately doomed romance between two people. The songs are more reflective than bitter; more nostalgic than sad. It’s an album about learning and growing from lived experiences and reflecting on past failures in the interest of future successes. Donovan has managed to create an album that is sonically nostalgic and modern at once, both soul-stirring and dripping with heartache. It’s a roadmap of his past seen through fresh eyes, and a triumphant first step in this new chapter.
New Victorian : Presented by Sou’wester Arts
New Victorian is the ethereal, small-rock project from Portlander Scott Taylor.
This exhibition is based on studying sand under a microscope and is a
continuation of our project for The Sou’wester’s Arts Week 2022. We
collected sand submissions from volunteers from from January-March
2022, with samples coming from as far away as India and Egypt.
All of the audio was made onsite during our stays at The Sou’wester and
features various field recordings. Photographs of the sand were taken
with a camera phone through a microscope lens. You can view all of our
sand photographs on Instagram: @damaged.antennae
Sand submissions by: Rebecca Rassmussen, Sierra Handley-Merk, Ali
Kestel, Nancy Kunce, Dar Horenblas, Lindsay King, Dawn Stetzel, Kim
Slate, Neisha D’Souza, Meagan Hardy, Sarah Farahat, Andie Sterling,
Nicky Kriara, & Cory Gray.
she worked in stop-motion animation on feature films and commercials. She now runs
a ceramic design company called Niko Far West and paints large scale murals. Her
work is often experimental and graphic with references to the natural world and the
history of place. www.nickykriara.com
Cory Cray is composer and performer in Portland OR. He leads a group called Old
Unconscious that plays experimental instrumental music, and he records and tours
internationally with The Delines. He frequently produces and arranges for other
recording artists, composes for movies and television, and creates sound installations
for multimedia art pieces.
4th Annual ARTS WEEK!
During Arts Week The Sou’wester hosts 30-35 artists and art collectives for a week of residency work culminating in a weekend (Friday and Saturday) of music, studio tours, performances and installations.
Over the past 9 years we have held an event around this time of year to highlight the creative process and the experiential nature of the Sou’wester Residency Program. Each year this event brings amazing artists to this neck of the woods and shines creative light into the darkest heart of winter.
The focus of Arts Week 2023 is SHIFTING CYCLES:
“Our reliance on a known occurrence has been disrupted. This shift is replacing existing patterns and problems. Collective action and individual insight paving our path forward.”
On the weekend, Friday and Saturday March 17th and 18th, 2023 the public will be invited, free and open to all, to tour the grounds and surrounding areas for a weekend full of installations, music, performances and open studios.
(The Sou’wester has regular residencies offered year-round in addition to residency events such as the annual ARTS WEEK. Applications for the Sou’wester Standard Residency are separate from ARTS WEEK and accepted on a rolling basis.)
Thank you to our Arts Week 2023 Sponsors!
Sou’Wester Arts is delighted to welcome artists Lindsay Costello & Erika Callihan whose exhibition What Else is Here? will be featured in our Gallery Trailer & Red Bus Microcinema April 14 – July 6. We hope you will join the artists for an opening reception with coffee and galettes on Friday, April 14 from 11:11 a.m. – 1:11 p.m.
What Else is Here? will be the culminating body of site-responsive work created by artist-friends Lindsay Costello and Erika Callihan during a week-long residency at the Sou’Wester. They’re thinking about rest, play, trust, the writing of Annie Dillard, and nature as a resource in healing C-PTSD. The exhibition will include a textile piece, soundscapes, paintings, and process drawings, plus a separate activation of the Red Bus Microcinema with Lindsay‘s diaristic 8mm nature films. Visitors will be invited to engage with the exhibition and the surrounding landscape through various creative and somatic prompts.
Singing in the land: earth magic, song, and the body
Thursday, May 25 5-7 pmJoin bodyworker, musician, and animist priest ell rieke (they/them) in residency at the Sou’wester for a magical, musical exploration of connection with the earth, our ancestors, and the world of spirit. Part workshop, part participatory sonic experience, we will spend the first part of our time in conversation, talking through questions like: what is magic and why does it matter? Where do songs come from? Is the earth talking to us? How can sound and rhythm help us navigate this complicated, painful, beautiful world?In the second half of our gathering, ell will guide participants in using voice and body to connect with spirit and the earth. They will teach some songs of the season, from both folk and modern traditions, and then guide a gentle ritual of reverence and celebration for the coming of summer. You will be invited to sing or hum and move your body, and are also welcome to just sit and experience. All bodies, voices, and backgrounds are welcome, including kids!Please bring something to sit on, and cozy layers in case the evening is cool. You may want to bring a journal and pen, if you like taking notes, and are also invited to bring a special object (that will return home with you) and/or flowers for the group altar.
“Portraits, Men in Ballgowns, Sound, We Will Be Heard” by Scott Braucht
Sou’Wester Arts is thrilled to welcome filmmaker Scott Braucht whose program Portraits / Men in Ballgowns // Sound / We Will Be Heard will be featured in a special exhibition celebrating Pacific County Pride in our Red Bus Microcinema.
On view at The Sou’Wester’s Red Bus Theatre
May 29 – July 14, 2023.
Opening reception Monday, May 29 6-8p with a special acoustic performance from musician Khaelo Dé.
Portraits is a collection of film interviews shot both on super 8mm and digital formats. It includes a selection from the series Men in Ballgowns, exploring ideas of masculinity and femininity in the LGBTQ2SIA+ community. This work-in-progress highlights men wearing gowns in different environments filmed on super 8mm with audio interviews detailing how growing up LGBTQ2SIA+ reflects in their art. Portraits concludes with the short film Mel & Kate about letting go and moving on. // Sound is a collection of music videos featuring the short documentary We Will Be Heard about rappers that identify as LGBTQIA+.
Curated by Nikki Cormaci
JOHN & JULIE
“We Do”
An art exhibition in The Art Trailer Gallery July 14th-July 23rd 2023
Lifelong creative folks, John and Julie met in 2017, started drawing together and haven’t looked back. They each had established artistic practices – John is a painter primarily and Julie is a filmmaker primarily – however both are open to working in ways that push them out of their comfort zones and allow for spontaneity and improvisation. They have made drawings, paintings, films, sounds, saunas, and land art together. To celebrate their “first date anniversary” each year, they look at Wikipedia’s list of traditional wedding anniversary gifts and have a ritual of making art using the material assigned to that year. They cater the event, ie; order take-out, and reflect on the year past and the year ahead for their relationship. The result is this collection of works presented here on the occasion of their wedding taking place July 22, 2023. We Do: Saying Yes to a Relationship of Depth, Connection and Enduring Love is a book by Stan Tatkin that has been a guidebook for building John and Julie’s relationship.
John Frentress has made art since the age of three and studied art at Kirkwood College with Doug Hall who was an amazing multi-disciplinary artist. He went on to study and work at several schools and community education centers on the west coast and considers himself to be primarily a “proper” art school short timer, and an auto-didactic life long learner. Like many artists, he has a BS degree in Psychology. John had the privilege of occupying a studio in the Blackfish gallery in the Pearl district of Portland for 19 years – sadly the building is now sitting vacant waiting for a bulldozer. He works with brushes using oils, acrylics, sumi ink and watercolors – sometimes paints on light bulbs and other trash.
Julie Perini is a filmmaker, daily videomaker, diary keeper, video artist, reader, writer, teacher, question asker, raw nerve, hot spring hopper, product of white suburbs of New York and DIY culture of the 90s, and friend to many. Her involvement with the post-9/11 “War on Terror” spurred her work with prison and police abolitionist movements. She exhibits work in theaters, community spaces, galleries, campgrounds, storefronts, the sides of bridges, and many other venues. She sees movies in actual movie theaters. Julie likes old cameras and eats pancakes at a diner at least once a week. Originally from New York, she is a Professor of Art at Portland State University in Portland, Oregon.
curated by Nikki Cormaci
