SOU’WESTER EVENTS!
Discover what’s happening during your next stay or plan a visit around our free live music, workshops, wellness offerings and more!
Jed Crisologo : Presented by Sou’wester Arts
Jed Crisologo is a soulful Seattle singer- songwriter, who mixes Americana, Punk Rock and Soul influences into heartfelt, catchy, honest tunes. His introspective and thoughtful songwriting sets an honest, alive and intensely human core to their songs. This combination of earnestness and swagger creates a sound that travels from wonderfully noisy and ambient to stripped down and raw, from raucous and bombastic to swinging and groovy all while emphasizing the truth and humanity in the songs.
Nick Delffs : Presented by Sou’wester Arts
Nick Delffs grew up in Mendocino County, a lawless stretch of coastline that’s hard to get to and, for many, hard to escape. Nick did — emerging in the early aughts as the frontman for Portland band The Shaky Hands, whose sharp, jittery rock was anchored by Nick’s quavering vocals and questing lyrics. The Shaky Hands were mainstays of Portland on the verge of a major shift, and they rode that shift a while, signing to Kill Rock Stars and touring internationally with some of the bigger names in indie rock. But a hiatus in 2011 became indefinite and Nick Delffs was once again cast into the world: working as a sideman, releasing solo records, doing manual labor, going deeper into his spiritual practices, and, crucially, becoming a father.
Becoming a parent can affect different artists in different ways. Nick rode that change with surpassing grace and maturity. 2017’s Redesign, his first full-length under his own name, reflected the transition. In “Song for Aja”, Nick touched on other concerns familiar to those who follow his work: love of the natural world; longing for spiritual and physical connection; the desire to suffer with meaning and exult with abandon, to embrace somehow the world in its maddening contradictions and find the unity at the core.
Childhood Pastimes, his second release on Mama Bird Recording Co., is both more focused and, despite being technically an EP, more ambitious. It’s a four-song cycle — one song with many movements or four songs that bleed into one another, depending on how you hear it — that can be viewed either as a personal journey or an archetypal passage of a human being through four discrete stages: roughly, the movement from childhood innocence into adolescent adventure (The Escape); the sudden immersion into a life of discovery and excitement (The Dream); the first experience of romantic love, followed by the onset of heartbreak, dissolution, breakdown of self (The Affair); the emergence into a new way of thinking, a fresh perspective that encompasses all the suffering and joy into a balanced whole (The Outside).
Nick plays nearly all of the instruments here and the result is a unified aesthetic, born ultimately of his deep-seated love of rhythm: the thrum and throb of the acoustic guitars, the percussive melodic bang of the elegantly-crafted piano lines, and always, always the insistent, driving drums, propelling the record, and the listener, on this journey as the four tracks bleed into one another, one body, one blood, one beating heart. The concept of four songs that are really one suite of music requires a sure hand, and Nick’s never shakes: the way the songs blend together while retaining their distinctiveness — from the poppy exaltation of “The Escape” to the cold intensity, almost like an acoustic Kraftwerk, of “The Affair” — shows a songwriter and musician who has fully grown into his powers.
Those who have followed Nick’s career may see this as a culmination of years and years of honing and fine-tuning his bountiful gifts, and wonder with delight what might come next. For those who haven’t listened to Nick before, Childhood Pastimes is the perfect entry point, a distillation of what’s come before and the promise of a new beginning.
4th Annual ARTS WEEK!
During Arts Week The Sou’wester hosts 30-35 artists and art collectives for a week of residency work culminating in a weekend (Friday and Saturday) of music, studio tours, performances and installations.
Over the past 9 years we have held an event around this time of year to highlight the creative process and the experiential nature of the Sou’wester Residency Program. Each year this event brings amazing artists to this neck of the woods and shines creative light into the darkest heart of winter.
The focus of Arts Week 2023 is SHIFTING CYCLES:
“Our reliance on a known occurrence has been disrupted. This shift is replacing existing patterns and problems. Collective action and individual insight paving our path forward.”
On the weekend, Friday and Saturday March 17th and 18th, 2023 the public will be invited, free and open to all, to tour the grounds and surrounding areas for a weekend full of installations, music, performances and open studios.
(The Sou’wester has regular residencies offered year-round in addition to residency events such as the annual ARTS WEEK. Applications for the Sou’wester Standard Residency are separate from ARTS WEEK and accepted on a rolling basis.)
Thank you to our Arts Week 2023 Sponsors!
Sou’Wester Arts is delighted to welcome artists Lindsay Costello & Erika Callihan whose exhibition What Else is Here? will be featured in our Gallery Trailer & Red Bus Microcinema April 14 – July 6. We hope you will join the artists for an opening reception with coffee and galettes on Friday, April 14 from 11:11 a.m. – 1:11 p.m.
What Else is Here? will be the culminating body of site-responsive work created by artist-friends Lindsay Costello and Erika Callihan during a week-long residency at the Sou’Wester. They’re thinking about rest, play, trust, the writing of Annie Dillard, and nature as a resource in healing C-PTSD. The exhibition will include a textile piece, soundscapes, paintings, and process drawings, plus a separate activation of the Red Bus Microcinema with Lindsay‘s diaristic 8mm nature films. Visitors will be invited to engage with the exhibition and the surrounding landscape through various creative and somatic prompts.
Singing in the land: earth magic, song, and the body
Thursday, May 25 5-7 pmJoin bodyworker, musician, and animist priest ell rieke (they/them) in residency at the Sou’wester for a magical, musical exploration of connection with the earth, our ancestors, and the world of spirit. Part workshop, part participatory sonic experience, we will spend the first part of our time in conversation, talking through questions like: what is magic and why does it matter? Where do songs come from? Is the earth talking to us? How can sound and rhythm help us navigate this complicated, painful, beautiful world?In the second half of our gathering, ell will guide participants in using voice and body to connect with spirit and the earth. They will teach some songs of the season, from both folk and modern traditions, and then guide a gentle ritual of reverence and celebration for the coming of summer. You will be invited to sing or hum and move your body, and are also welcome to just sit and experience. All bodies, voices, and backgrounds are welcome, including kids!Please bring something to sit on, and cozy layers in case the evening is cool. You may want to bring a journal and pen, if you like taking notes, and are also invited to bring a special object (that will return home with you) and/or flowers for the group altar.
“Portraits, Men in Ballgowns, Sound, We Will Be Heard” by Scott Braucht
Sou’Wester Arts is thrilled to welcome filmmaker Scott Braucht whose program Portraits / Men in Ballgowns // Sound / We Will Be Heard will be featured in a special exhibition celebrating Pacific County Pride in our Red Bus Microcinema.
On view at The Sou’Wester’s Red Bus Theatre
May 29 – July 14, 2023.
Opening reception Monday, May 29 6-8p with a special acoustic performance from musician Khaelo Dé.
Portraits is a collection of film interviews shot both on super 8mm and digital formats. It includes a selection from the series Men in Ballgowns, exploring ideas of masculinity and femininity in the LGBTQ2SIA+ community. This work-in-progress highlights men wearing gowns in different environments filmed on super 8mm with audio interviews detailing how growing up LGBTQ2SIA+ reflects in their art. Portraits concludes with the short film Mel & Kate about letting go and moving on. // Sound is a collection of music videos featuring the short documentary We Will Be Heard about rappers that identify as LGBTQIA+.
Curated by Nikki Cormaci
JOHN & JULIE
“We Do”
An art exhibition in The Art Trailer Gallery July 14th-July 23rd 2023
Lifelong creative folks, John and Julie met in 2017, started drawing together and haven’t looked back. They each had established artistic practices – John is a painter primarily and Julie is a filmmaker primarily – however both are open to working in ways that push them out of their comfort zones and allow for spontaneity and improvisation. They have made drawings, paintings, films, sounds, saunas, and land art together. To celebrate their “first date anniversary” each year, they look at Wikipedia’s list of traditional wedding anniversary gifts and have a ritual of making art using the material assigned to that year. They cater the event, ie; order take-out, and reflect on the year past and the year ahead for their relationship. The result is this collection of works presented here on the occasion of their wedding taking place July 22, 2023. We Do: Saying Yes to a Relationship of Depth, Connection and Enduring Love is a book by Stan Tatkin that has been a guidebook for building John and Julie’s relationship.
John Frentress has made art since the age of three and studied art at Kirkwood College with Doug Hall who was an amazing multi-disciplinary artist. He went on to study and work at several schools and community education centers on the west coast and considers himself to be primarily a “proper” art school short timer, and an auto-didactic life long learner. Like many artists, he has a BS degree in Psychology. John had the privilege of occupying a studio in the Blackfish gallery in the Pearl district of Portland for 19 years – sadly the building is now sitting vacant waiting for a bulldozer. He works with brushes using oils, acrylics, sumi ink and watercolors – sometimes paints on light bulbs and other trash.
Julie Perini is a filmmaker, daily videomaker, diary keeper, video artist, reader, writer, teacher, question asker, raw nerve, hot spring hopper, product of white suburbs of New York and DIY culture of the 90s, and friend to many. Her involvement with the post-9/11 “War on Terror” spurred her work with prison and police abolitionist movements. She exhibits work in theaters, community spaces, galleries, campgrounds, storefronts, the sides of bridges, and many other venues. She sees movies in actual movie theaters. Julie likes old cameras and eats pancakes at a diner at least once a week. Originally from New York, she is a Professor of Art at Portland State University in Portland, Oregon.
curated by Nikki Cormaci
“Barn Rave, 2011” by Tori Wheeler
ON VIEW
JULY 27 2023 – OCTOBER 12 2023
Tufted, and interactive artwork, Barn Rave, 2011 encapsulates the frenetic, feral exchange of energy found in a packed dance floor. The modular work recalls a night in a remote barn outside of Cedar Rapids, Iowa. Its tessellated pieces intertwine, forming a hazy, abstracted scene of kids drenched in sweat, a barn filled with fog, hay, pulsating music, and a mix of suspicious substances. This ephemeral experience imprints neural pathways.
The puzzle-like components and imagery pay homage to a transformative and hedonistic celebration of youthful exuberance. The liberated sensuality and sometimes-brainlessness of infectious bassy beats become the unyielding desires to relinquish the burdens and constraints of adolescence in small town surroundings. The pieces move and connect, at times surpassing a perfect fit. Capturing the raw energy of dancing amidst others. Capturing unbridled energy. Their arrangement allows for infinite reconfigurations—a reflection of the ever-shifting nature of the dance floor.
Tori Wheeler is an artist, designer, and dancer whose work is influenced by ecstatic human exchange, touch and tactility, music-and-nature-induced-trance-states, and a dash of trickster humor. Their creative practice mirrors that of a desire path.
Tori holds a Bachelor of Fine Arts in Design from the Kansas City Art Institute and works as a textile artist, gold leaf gilder, and fairweather graphic designer.
Curated by Nikki Cormaci
QUADRAPHONIC + ACUPUNCTURE + SOUND BATH
AUGUST 31 • 7PM
Featuring Sonic Ceremonies with Dr. Kade Rose (they/them) of Celestial Window Restorative Arts.
Harmonize your body with the healing waves of a sound bath combined with the flow of intuitive acupuncture.
- $88 WITH ACUPUNCTURE
- $44 SOUND BATH ONLY
Join us along with certified acupuncturist, Kade Rose, here at the Sou’wester Thursday August 31st for a unique wellness experience. This event will be held in our spacious Pavilion on the grounds of the beautiful Sou’wester and will be open to 15 participants. 8 reservations will be for a sound bath and acupuncture combination where Kade will be performing intuitive acupuncture while the sounds of her polyphonic analogue synthesizer offer deep relaxation and realignment. The remaining 7 reservations are for sound bath only where you can lay in a state of deep relaxation while the sound waves wash over you.The event will be an hour and a half long and we request you bring your yoga mats, blankets, pillows or anything that will make you more comfortable laying on the floor for an extended period of time. We are very excited to welcome you all to join us in wellness.
Exhibtion opening in our Art Trailer Gallery
No Lo Tenia Escrito / It Wasn’t in My Plans by Jade Mara Novarino
No Lo Tenia Escrito showcases a short film, Mi Abuela La Hormiga / My Grandma the Ant (40 minutes, 2023), and several prints and works on paper. The footage and the work are from a trip to Argentina in February of 2023. This work was made in order to remember—my grandma, us, a place, and a time. In a sense, it is a small archive, a document that marks a special moment in our relationship. Initially, for the film, I had set out to ask my grandmother many questions, and in some cases succeeded in receiving answers—but in the still and quiet moments of the footage, when the camera was just another piece of furniture and not someone to act in front of, was where I learned the most. The film is conscious of its own form, and the camera itself is acknowledged multiple times. Even so, the main subject—my grandma—doesn’t seem shy or to change before its presence. The prints and works on paper are reflections, journal entries, and photographs made within the year leading up to the show.
Jade Mara Novarino is a first generation American artist, educator, farmer, and community member born and raised in San Diego, California. Her work draws on inspiration from her family and the seasons, personal narrative, site-specificity, songs, and attempts to highlight the everyday as sacred. Her multidisciplinary work spans from socially engaged projects to imaginary restaurants to calligraphy to video to collage, photography, painting, and found sculpture. She runs an artist space and farm from her home in Milwaukie, Oregon. Her birthday is in February, her favorite month is September, and she looks forward to planting garlic every October. She is always looking for new pen-pals.
Curated by Nikki Cormaci